The Year She Fell (Audible Audio Edition) Alicia Rasley Riva Nelson Inc Belle Books Books
Download As PDF : The Year She Fell (Audible Audio Edition) Alicia Rasley Riva Nelson Inc Belle Books Books
The tragic mystery at the heart of their family has finally surfaced....
When Ellen Wakefield O'Connor is confronted by a young man armed with a birth certificate that mistakenly names her as his mother, she quickly sorts out the truth His birth mother listed Ellen on the certificate to cover up her own identity, but also because Ellen is, in a way, related to the child. The birth father is Ellen's troubled husband, Tom. The secrets of the past soon engulf Ellen, Tom, and everyone they love. This drama of love, loss, family and betrayal will capture listeners with its unforgettable power.
The Year She Fell (Audible Audio Edition) Alicia Rasley Riva Nelson Inc Belle Books Books
This book hooks you in the first chapter and never lets you go. The different twists and turns keep you guessing throughout. I loved how Rasley wrote from several characters' points of view, a neat trick, which gives you a different perspective on the same situation.Ellen, who realizes her husband fathered a child and refuses to tell her who the mother is. Laura, the famous sister, who suffered her own trauma and is trying to help her family while healing herself. And Theresa, the adopted sister who never fit in and always feels like an outsider. Their relationships are very complicated and they draw you into their world of secrets.
This is a wonderful book that I highly recommend.
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The Year She Fell (Audible Audio Edition) Alicia Rasley Riva Nelson Inc Belle Books Books Reviews
This book was a big surprise to me. When I started reading it at first I lost interest pretty fast. After a chapter or two I decided it just wasn't for me and I removed it from my kindle. A few days later though I got onto the Cloud Reader on my PC and began to read it. Why? I don't really know.
After reading it for a while in class I was hooked. I began to enjoy it and wanted to hear the rest. This book ALWAYS surprised me. When I thought I'd figured it out, something would shift in the story line and my hypothesis would be wrong. It was annoying and fun at the same time.
The ending of the book was definitely satisfying. After figuring out why everyone was acting the way they were and where everyone belonged and who they exactly were, it was left pretty well.
I also really enjoyed how each character got their own POV for a while. My favorite was probably Laura's and Jackson's. I really liked Jackson and found myself hoping dearly that they would end up together.
This usually isn't my cup of tea but I loved it!
I have read a few of Alicia Rasley's other books (non-fiction and fiction), but this is the first contemporary novel that I have read by her. From other reviews, it appears this could be her first attempt to write in this genre. It was an average success in my opinion.
I liked the different viewpoints from which the story was told. I also appreciated that not every moment in the story was told over and over in the different viewpoints. Instead, we sometimes got additional insight for some scenes and the new perspective gave us more background information. In this way, I found the book very plot-driven rather than character-driven. I tend to prefer books that are character-driven with a very active and forceful plot (think Dennis LeHane's Shutter Island, for example). I was pleasantly surprised by how much I enjoyed the book given this format.
I think the plot was interesting, although it was difficult to follow. For instance, at first it seems the entire plot is centered around Ellen's marriage and the young boy that arrives. Typically, any issue with her family or mother would be secondary to this and the plot would focus on her ability to weather the newcomer to her family. However, the novel quickly changed gears and provided much more focus on Ellen's upbringing and her unusual family as well as her obsession with finding the truth. That part of the story, her search, seemed to take the primary focus of the story. However, that changed again as she discovered the identity approximately halfway through the book. Yet again, the story changed focus as it changed narrator. That would continue, continually changing the focus of the book. This was disconcerting as no particular theme seemed to jump forward to provide the connection among the stories and plots. It was kind of like having a dinner featuring a Mexican chicken appetizer, a Japanese fish entree and a Norwegian dessert. With no overall theme other than international cuisine (in this book - finding yourself), it's hard to find all the elements synthesizing.
Another point I disliked was the continual reference to Brian as 'the boy'. Many characters rarely referred to him by name - Ellen I can understand as it would show her emotional state, but other characters? It finally seemed as though the writer had not chosen a name so put 'the boy' throughout the novel then forgot to go back and change all those instances. It was disconcerting then downright annoying, though perhaps this was some literary device that he really was a "nobody"? If so, it wasn't too effective as it was far too noticeable and, well, annoying.
Finally, I could likely get past all of these issues were it not for the typos. I can enjoy very mindless books, including some category romances (Jennifer Crusie books by Silhouette for example). However, I can't enjoy even a reprint of Twain or Dickens or Austen if it is full of typographical errors. Several times I encountered missing words, so I would have to read the sentence a couple of times to determine the missing element. This disrupted the flow of the story (already a problem as previously noted), also disrupting the chance I might create that suspension of disbelief so necessary in the best stories.
All in all, I thought it was a decent book. As I said, I liked the various perspectives. The plots were interesting, but it could use some work to make one overall theme or plot with more focus. It has a solid three rating for me - buy it at a discount or get it for free.
This book would have been better written in the style of Mary Higgins Clark. Take the five different viewpoints and weave them together in shorter snippets around the events instead of recovering old ground with each character. However, to give Alicia Rasley credit, each viewpoint does take you closer to the conclusion than the previous one, which creates the plot building effect. I felt the story had climaxed before we got to Theresa or Jackson. Theresa's viewpoint caught my interest at the point where she went in search of her birth family, but it set up a second plot. This would have been better introduced earlier, before the initial storyline, Brian's parentage, was concluded. This made the story somewhat anti-climactic. I also felt like the steamy love scenes could have been cleaned up and the strong cuss words omitted. However realistic, they really added nothing to the story. Overall there were too many threads and not enough binding.
I am always amazed at the differences in reactions to a book. In this one a matriarch has to uphold her family's standards. She keeps secrets, her adult children keep secrets, and children pay the,price. Because tv/media have coarsened our culture does not mean there aren't pockets of this mentality in small towns across the US. Some reviewers have difficulty with the way this is written. Other feel there are too many balls in the air. I liked the story and the way it is presented.
One young man looking for his birth mother starts pulling the threads of the fabric holding a family together. What looks like a simple request made many time a day becomes the fact that every single member of a family has to accept the truth and learn to live with it. In one instance there is the second chance where two people will rekindle their romance. In another, a middle aged couple has to grapple with the idea that a long held secret will forever change their family. The couple has a lot of work to do in the future. The last gives just a hint that a romance might begin for two damaged people. Although all the loose ends are tied up they are not tied tightly. I like that the book does not end in an unrealistic way.
This book hooks you in the first chapter and never lets you go. The different twists and turns keep you guessing throughout. I loved how Rasley wrote from several characters' points of view, a neat trick, which gives you a different perspective on the same situation.
Ellen, who realizes her husband fathered a child and refuses to tell her who the mother is. Laura, the famous sister, who suffered her own trauma and is trying to help her family while healing herself. And Theresa, the adopted sister who never fit in and always feels like an outsider. Their relationships are very complicated and they draw you into their world of secrets.
This is a wonderful book that I highly recommend.
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